This is great for backwards compatibility and keeps in place a familiar interface that people know and love, but it doesn’t push the envelope for fear of alienating core users. This shift in software and the different paths that Adobe and Apple took with Premiere Pro and Final Cut Pro X essentially mirrors what the big two camera companies did in the 1980s, although with very different results.Ĭonsider Adobe’s Premiere Pro the software equivalent of the Nikon F-mount – it has changed, for sure, but fundamentally the guts of the software and the way it works haven’t. In its initial version the software was somewhat incomplete (no multicam editing off the bat was a big one, but came in an update six months later), and there was no way users could migrate their existing projects over to the new version.
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